Posts Tagged ‘Action’

The Fountain (2006)

Seeing as Darren Aronofsky is responsible for directing one of my favourite films of all time, Requiem for aDream, it is no wonder that he yields such an exhilaratingly complex film as The Fountain. Past, present and future dissolve into the timeless infinite in this visual masterpiece. Dr. Tomas Creo (starring Hugh Jackman) experiments to find a cure for tumours in order to save the life of his wife, Izzie (played by Rachel Weisz), who has a brain tumour. As time runs out, he becomes more and more obsessed with his work, in stead of spending time with his ailing wife. In an effort to aid him to come to terms with her death, Izzie writes a book about a Spanish soldier who is sent on a mission by the Queen of Spain, Isabella, to seek the Tree of Life. If he succeeds in his task, she will become his Eve and they will rule together for all eternity. It is, however, up to Tomas to complete her book and face his fears about mortality.

The film is stunning theatrically, and although I liked it, I can see why even the stunning cinematography was not enough to appeal to the masses. I am actually quite satisfied at The Fountain not being a major box-office success or reduced to a commercial blockbuster. Even though it includes a love story, it is not the typical heroic romantic love story. And even though it includes action, it is not the typical Steven Seagull action movie. It is a stylistically hybrid film that includes science fiction, but is not just that; includes fantasy, but is not only that. It is indeed a very complex film that deals with a lot of complex issues regarding mortality and spirituality, and draws on mythology and religion to makes sense of life. It might not be very scientific, but mythology and religious frameworks often aid one to understand one’s world better, and, therefore, assists one to come to terms with life and death.

Clint Mansell, who also did the musical score on Aronofsky’s Pi andRequiem for a Dream, once again gives birth to a beautiful soundtrack in this film.

SPOILER WARNING: Tomas is not the typical romantic hero, for in the end, he does not succeed in his quest to save Izzie’s life. But what is most heroic in actuality, is accepting death – the deaths of loved-ones and one’s own death as well. One can either waste time fighting death, or enjoy one’s time on earth by coming to terms with it. Death is something no one can escape. It is a fact for every living thing on earth. At the end Tomas realises that Izzie would much rather have spent her last days with him surrendering to her death, than him fighting her death in his absence. Here strength and enlightenment come from being able to let go. When he completes her novel and uses the Mayan mythology she talked about, it helps him to accept her death. Immortality is not something one is destined for on earth. It is something to be achieved in another dimension, when one’s soul has been freed from one’s physical body. The seed he plants on her grave is a sign of new life sprouting from death, just like the Tree of Life was created from nothing. SPOILERS END HERE.

It has taken a lot to get this film made. Brad Pitt and Cate Blanchett were originally cast for the lead roles, and shooting was set to take place in 2002 on a $70 million budget. After Pitt walked out, production ceased. The film was resurrected in 2005 and finally completed in 2006 on a $35 million budget. If you want to read more on the film and the production, go tohttp://en.wikipedia.org/wiki/The_Fountain_(film).

INFO

Genre: Fantasy / Science Fiction / Drama / Romance / Action
Running time: 96 min
Country: USA
Language: English
Director: Darren Aronofsky
Writing credits:
Darren Aronofsky
Ari Handel
Producers: Arnon Milchan
Eric Watson
Iain Smith
Cinematographer: Matthew Libatique
Music: Clint Mansell
Main Cast:
Dr. Tomas Creo – Hugh Jackman
Izzie Creo – Rachel Weisz
Dr. Lillian Guzetti – Ellen Bursty

Curse of the Golden Flower (2006)

Curse of the Golden Flower is the latest offering from Zhang Yimou, director of the acclaimed House of Flying Daggers and Hero. The solidarity of the Chinese Tang Dynasty is under threat: Emperor Ping (Chow Yun-Fat) and his stepson Prince Jai (Chou Jay) return to the palace after a considerable absence; the strain between Emperor Ping and his ailing wife, Empress Phoenix (Gong Li) cuts through the air like a Dynasty blade; the conscience of Emperor Ping’s only blood-son, Crown Prince Wan (Liu Ye), struggles under the burden of his secret affair with Empress Phoenix. Tension builds as the Chong Yang Festival approaches and strained relationships promise to end in a full-fledged battle.

Curse of the Golden Flower is definitely an epic on grand scale and deserves much admiration. The viewer is overwhelmed by the immensity and aesthetics of the elaborate cast, costumes, décor and sets. But do not be fooled: if you are expecting another Hero or House of Flying Daggers be warned, for this film is definitely much different. This film has a much slower pace and is certainly more plot-driven. It does not have the extensive martial arts fight scenes that we are accustomed to in Yimou’s other films. The intricate plot and complex web of relationships carry the film to its climax. Chow Yun-Fat and Gong Li respectively give powerful and convincing performances as the cold, ruthless and scheming patriarch-emperor-warrior, and the afflicted, strong empress who refuses to go down without a fight. The ultimate question is: Who will win?

SPOILER WARNING! DO NOT READ THIS IF YOU HAVE NOT YET WATCHED THE FILM: The viewer usually backs the underdog in a film or usually expects evil and injustice to finally succumb to good justness. Many viewers might, therefore, be taken aback when Emperor Ping defeats Empress Phoenix in the end. But I think that the ending is very fitting for two reasons: Emperor Ping would not have been emperor if he had been a weak, caring and do-things-by-the-book man. He is more likely to win because he is more ruthless and sly and the climax is, therefore, more convincing. But one has to ask: At what cost did he win? And can it really count as a win when he has lost absolutely everything that was dear to him: the only woman he ever loved, his only son, all successors to his throne? This makes the ending of the film even more poignant.

INFO

Genre: Epic / Romance / Drama / Action
Running time: 114 min
Country: Hong Kong / China
Language: Chinese
Director: Zhang Yimou
Writing credits: Yu Cao (play)
Zhang Yimou (screenplay)
Producers: William Gong
Zhang Weiping
Zhang Yimou
Cinematographer: Zhao Xiaoding
Music: Shigeru Umebayashi
Main Cast:
Emperor Ping – Chow Yun-Fat
Empress Phoenix – Chou Jay
Prince Jai – Emma Thompson
Crown Prince Wan – Liu Ye
Prince Yu – Qin Junjie
Jiang Chan – Li Man
Mrs. Jiang – Chen Jin
Imperial Physician Jiang – Ni Dahong

300 (2006)

The film 300 is based on the graphic novel by Frank Miller and Lynn Varley about the Battle of Thermopylae in 480 B.C. and directed by Zack Snyder. Xerxes is a powerful Persian king and half-god, who wishes to annex every inch on earth and make all bow before his might and splendour. Spartans are a race, however, that appraise freedom above anything else and refuse to bow to any man. Surrender and subjugation is viewed as weakness and there is no place for weakness among Spartans – be it man or woman or child. It is Spartan law to consult the Mystics on whether or not to go into battle and Spartan King Leonidas is advised not to by the Oracle. He cannot go against what has been decided, but is compelled to fight for the freedom of his people . Therefore, he gathers 300 of Sparta’s best warriors to stall Xerxes’ onslaught and kill as many of his men as possible. But Xerxes’ massive army far outweigh his men in number. It is, surely, a descent into self-destruction.

Let me start off by acknowledging that I have not yet read the graphic novel by Miller and Varley, and therefore, cannot honestly say whether I believe 300 to be a good rendition of it. But according to the Wikipedia the film is a shot-for-shot adaptation of the comic book. And let me get it off my chest that I find it hard to stomach violence these days. It is quite weird, for I am quite open-minded, I’m very liberal and not conservative, yet I find violence superfluous in films as I get older. My husband is a graphic novel lover, and he thought 300 was amazing and that the violence was very comic-book-like. And I admit, I would have expected nothing less from a filmic adaptation of a graphic novel that has integrity. Violence is a key element in graphic novels, and when we heard that 300 has an age restriction of fifteen, we doubted that it would be as dark and bloody as it is supposed to be. But it did not disappoint. 300 definitely has all the ingredients that a graphic novel usually consists of: unapologetic violence, unashamed sex and the most beautifully stylized murals on screen – bereft of colour some times, and laden with colour at others. The cinematography gives a real graphic novel feel and the graphic creatures, décor, make-up and costumes conjure up an amoral universe where myth and reason, love and hate, ugliness and beauty, the sexual and the sensual, coincide. It is, indeed, awesome.

Take my criticism from where it comes – a graphic novel layman: I would certainly raise the age restriction to eighteen and find it quite disturbing how low age restrictions are these days in order to draw as many crowds to the box-office as possible. Pulp Fiction was violent, yes, but I believe it draws an older audience with a more mature mindset which is capable to watch it and not be inclined to go out and shoot someone. 300 draws many impressionable young men and women who might see violence as cool, and that scares me. My only other criticism is that the plot is a bit weak and that their burst of battles get quite monotonous as the film progresses. It is also quite unbelievable that three hundred men can cause such damage to Xerxes’ massive army, but Zack Snyder contends that the “events are 90 percent accurate” and that some world-class historians he showed the movie to “can’t believe it’s as accurate as it is”. But you graphic novel lovers will probably not have the qualms that I do, so go out, watch and enjoy!

INFO

Genre: War / Action / History / Fantasy
Running time: 117 min
Country: USA
Language: English
Director: Zack Snyder
Writing credits: Zack Snyder (screenplay)
Kurt Johnstad (screenplay)
Michael Gordon (screenplay)
Frank Miller (graphic novel)
Lynn Varley (graphic novel)
Producers: Gianni Nunnari
Mark Canton
Bernie Goldmann
Jeffrey Silver
Cinematographer: Larry Fong
Editor: William Hoy
Music: Tyler Bates
Distributed by: Warner Brothers
Main Cast:
King Leonidas – Gerard Butler
Queen Gorgo – Lena Headey
Theron – Dominic West
Dilios – David Wenham
Captain – Vincent Regan
Stelios – Michael Fassbender
Astinos – Tom Wisdom
Daxos – Andrew Pleavin
Ephialtes – Andrew Tiernan
Xerxes – Rodrigo Santoro

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